Lowell

Lowell
Lost Valley 2010

Saturday, July 12, 2025

“Kindness is the new Punk Rock” - James Gunn’s Superman Soars





Everyone has their favorite superhero. And there are many debates over which superhero is objectively the best. But when it comes to who is the most iconic? There’s no doubt that the answer is Superman. Created by Jerry Siegel and Joel Schuster in 1938, Superman has appeared in comics, cartoons, TV shows, and movies. For nearly a century, he has dazzled comic book readers and audiences with his heroic feats. He’s faster than a speeding bullet and stronger than a locomotive. Superman can do anything. There are no limits for what the Man of Steel can do…. That is, except with his own film franchise. 

It’s not exactly a secret that Superman hasn’t had the best of luck as a film franchise. Superman: The Movie, released in 1978 directed by Richard Donner, remains a landmark for the superhero genre. The sequel Superman II, while not quite as good, is still a solid follow up. (The Donner Cut is way better). But Superman III & IV were so awful that they killed the franchise. They were basically the franchise’s kryptonite. 

Since then, there have been multiple attempts to reboot the franchise on the big screen. In the 90s, Kevin Smith worked on a script based on Superman Lives, where Superman is resurrected from his fateful fight with Doomsday. The film was gonna be directed by Tim Burton and starring Nicholas Cage in the role of Kal’El/Superman. But the film went over budget and was scrapped. (For more information on that train wreck, check out the documentary The Death of Superman Lives: What Happened? Directed by Jon Schnepp and Produced by Holly Payne, featuring interviews with Tim Burton, Kevin Smith, and Jon Peters. It’s worth watching for any Superman fan). 

In 2006, X-Men director Bryan Singer attempted to use his comic book movie cred to revive Superman with Superman Returns. It was both a reboot, and a sequel to Superman II (1980). So it was basically like the 2018 Halloween. It was a follow up to the classic movie everyone loved, and ignored all the unnecessary sequels. It had all the right pieces. It had a great cast with Brandon Routh as Clark Kent/Superman, who looked and sounded exactly like Christopher Reeve. And Kevin Spacey as Lex Luthor, who was even more menacing than Gene Hackman (though knowing what we know now about Kevin Spacey, it’s easy to see why). Unfortunately, the movie was a boring, depressing mess that failed to connect with audiences. It was a movie at war with itself, trying to pay homage to the Donner films and be a sequel, while also trying to restart the franchise. Because of this, the movie couldn’t decide what it wanted to be. The audience responded with disinterest and spent their money on more appealing blockbusters like Pirates of the Caribbean: Dead Man’s Chest.

The franchise remained dormant for about seven years. Then in 2013, Zack Snyder attempted to reboot it by making it darker and edgier. Less like the Donner Superman, and more like Christopher Nolan’s Dark Knight trilogy. Though to be fair, it felt like every superhero movie was trying to emulate that formula. And just like all the other attempts from Hollywood to recapture Nolan's lightning, Man of Steel missed what made Nolan's Batman click like it did. Man of Steel had a lot of problems. But one of them was making Superman a brooding figure with a tortured soul. That worked for Nolan's Batman because that's who Batman already was in the comics. But Superman? Superman is the opposite. He's earnest, optimistic, and full of love for all of humanity. 

And it's that sincerity that made Superman so hard for audiences to relate with, and why it's been so hard to get him right on the big screen. Even though Batman is a billionaire and Superman is a farm boy, he's still more relatable to audiences because of his morally questionable methods and his simmering rage. Audiences are more willing to relate to a character if they have flaws and grow as people. But Superman? He doesn’t really go through growth in most versions of his story. He’s already perfect. He’s Superman. 

How do you make Superman connect with audiences without throwing away what makes him who he is? How do you make audiences give a damn about a superhero who’s too pure to relate to? 

James Gunn answers this question with another question. “Why does Superman even need to be relatable? What does it say about our world if a character like Superman is seen as too corny and too wholesome to relate to? Why are we treating this like there’s a problem with Superman, and not a problem with the world?”

James Gunn succeeds in updating Superman for modern day audiences, while also staying true to his character and values. James Gunn understands that Superman was made for these times. In fact, he was made in times like these.

When Superman first debut in Action Comics #1 in 1938, it was a time much like now. There was massive wealth inequality, the rich were getting richer, the majority of people were struggling, fascism was on the rise all over the world, and the entire world way war. Jerry Siegel and Joel Schuster, two Jewish immigrants, wrote Superman as an allegory for immigration. At a time when immigration was deeply controversial. Much like now. 

James Gunn includes a not very subtle reference to an actual genocide going on in the Middle East. While he doesn’t use the names “Israel” or “Gaza”, it’s very clear what it’s about. Superman stops a country representing Israel, which is said to be an ally of America, from invading another country that’s like Gaza. This makes Superman controversial around the world. Lois Lane asks him why he would insert himself in the middle of a conflict and betray America’s ally. Superman’s response is “People were going to die.” 

It’s really that simple. 

Lois Lane later tells Superman that they’re different. She said “I’m a Punk Rock girl. You? You’re not punk rock. You trust everyone. You think everyone you meet  is beautiful.” To which Superman replies “Maybe that’s the real punk rock.” 

And that’s how James Gunn adapts Superman to the big screen. That’s how he makes Superman cool again.

By reminding us he was always cool. 

In a world run by real life Lex Luthors where cruelty is the norm…. Kindness is the real Punk Rock.

Sunday, November 10, 2024

“So this is how Liberty dies. With thunderous applause.” How Donald Trump’s rise proved that George Lucas was right.





This past week has got me thinking about the Space Wizard series, Star Wars, a lot. For obvious reasons. At its core, it’s a story about the dangers of fascism, and the importance of fighting for and preserving democracy.

A couple weeks ago, I went to the Ronald Reagan Library for the Star Wars exhibit. “Star Wars” was what the Media called Ronald Reagan’s Strategic Defense Initiative. Eventually, Reagan embraced it. He called the Soviet Union an “Evil Empire” (I know. A Republican President who hated Russia. Crazy, right?) And Americans celebrated.


You know for a fact George Lucas took this personally and was disgusted. The villain of the entire saga, Palpatine, was based on Richard Nixon. A Republican. The Empire was based on the U.S. Military. The Rebels were based on the Viet Cong. The Jedi were hippies. They were very clearly anti-American imperialism. And yet here, Americans saw those movies and thought they were the Rebels, and everyone who opposed them was the Empire. 


The Original Trilogy is a feel good story. Yes, it’s Rebels fighting fascism. But it ends with the Rebels winning. We don’t know how the Empire came to be or how Palpatine came to power in the first place. All we know is that the Empire is evil and the Rebels need to beat him. 


Lucas saw that many fans of the original trilogy saw themselves as Luke Skywalker fighting for the Rebels, unaware that they’re actually Darth Vader, fighting for the Empire. 


And that’s why he made the prequels. That’s why he made them so different from the original trilogy. Instead of a fun, escapist adventure with Joseph Campbell’s Hero’s Journey model, they were a Shakespearean tragedy about a sweet little child who wanted to help people, but was corrupted by the system and society around him to become a weapon for it. 


George Lucas made Star Wars to speak to young people. To make an impression on them. He knew that they didn’t get the message. 


He made the prequels not for the generation who grew up with the originals. He made them for my generation. He knew the world we were growing up in. He knew the Empire had taken over. And that the only opposition to it were neoliberal elites who are out of touch with the people. The Jedi Knights, who are supposed to be the guardians of peace and justice in the galaxy, lived in a tall tower surrounded by power hungry politicians and greedy opportunists. They allowed complete morons like Jar Jar Binks to be elected Senator. Even though his only

Political experience was being a General in a battle, losing that battle, and giving up. But thanks to Anakin, the droids shut down. And the Goongas won. And Jar Jar took the credit. He got elected Senator, and helped give Palpatine emergency powers. Suddenly, Ted Cruz getting re elected to Senator in Texas after abandoning them in a hurricane doesn’t sound so hard to beoieev, doesn’t it?


 The Jedi in the prequels were the complete opposite of how Obi-Wan described them to Luke. 


The way Obi-Wan talked about the Jedi to Luke is the same way our parents and teachers talk to us about American history. “Our Founding Fathers were warriors for freedom and justice!” A very idealistic, very wish washy feel good version of history. The Jedi in the prequels are more accurate to what American history actually is. Full of people who did great things, but also committed atrocities. The Founding Fathers did a lot of heroic things that are worth honoring. Without them, we wouldn’t have a democracy in the first place. They stood up to a King and declared “All men are created equal”. They also owned Slaves. And when they won their independence, they didn’t do much to stop it. It took another hundred years for that problem to be corrected. But not without a bloody civil war. 


Very similar to the Jedi in the prequels. Anakin Skywalker was a slave. He was freed by Qui-Gon, but his mother had to stay behind. Not only do the Jedi tell Anakin that missing his mother is wrong as it leads to the Dark Side. But the Jedi themselves do absolutely NOTHING to stop slavery. They just sit in their comfy chairs on their high tower and focus on maintaining the status quo. 


It’s kind of fitting that the prequel trilogy ends with Yoda, a wise old Jedi who has been a key figure in the system for years, tried to stop Palpatine from taking over the galaxy and failed. Horribly. It’s no different than Joe Biden trying to stop Donald Trump and failing horribly. Perhaps like Yoda, Biden should retire peacefully, and help train the new generation. Pass on what he learned.


George Lucas has said that Star Wars as a whole is a story about one generation screwing up horribly, and the next generation having to deal with it and fight to make the world better. It’s the classic “weak men create hard times, hard times create strong men, etc.” philosophy. 


Many people took this to mean “Oh, the kids will save us! It’s the old people that are the problem!” That’s what many of us thought these past 8 years. 


But last week, Gen Z voted for Trump. Well, the ones who voted any way. The rest sat out. Because they had zero trust in the system. They saw Democrats give money to Israel to drop bombs on Gaza, killing thousands of people, mostly children. And when Gen Z spoke out against them, they were scolded and told to not give into their emotions. To follow orders. 


Anakin Skywalker can relate to them. Here was a man who was born and grew up a slave. And after winning his freedom to help a Jedi and a Queen repair their ship without any thought of reward, himself was rewarded by being free from slavery. But sadly, his mother had to stay. And instead of validating Anakin’s feelings, they scolded him. Told him that his thoughts are leading him to a dark place. And to top it off, did nothing to save his mother. Or the rest of the slaves. 


When on a date with Senator Padmè, Anakin tells her he doesn’t trust the system. And that the people need to work together on finding a solution. Padmè tells him that is what happens. The problem is they don’t always agree. Anakin then suggests that they should be made to agree through a dictatorship. 


Later, Anakin goes to save his mother from slavery. He finds out she was abducted by Tusken Raiders. And they raped and tortured her to the point where she died. She died in her son’s arms. Anakin did everything he could to save her. And he failed. His response was to kill every Tusken Raider in the village. Not just the men. But the women and the children too. 


Anakin marries Padmè Amidala. And she tells him three years later she’s pregnant. This is the happiest moment of Anakin’s life. Until he gets visions of her dying in childbirth. 


Anakin goes to Yoda for wisdom. Yoda’s response to Anakin, though well intentioned, does nothing to help him. Yoda tells Anakin that death is part of life and that we should learn to accept it. Anakin hears it as Yoda dismissing his feelings. Later, Anakin is appointed to the Jedi Council. But was denied the rank of Master. Anakin had spent his whole life serving the Jedi Order and fighting in the Clone Wars. And this is how they repay him. Whether you think they were right or not, the bottom line is Anakin felt betrayed. He felt betrayed and invalidated by a system that he fought so hard for. Even though they never fought for him. 


No wonder Palpatine was able to twist his mind. Palpatine offered simple solutions to complex issues. Not through evidence or details. But through a story. A story about a Sith Lord who could stop people from dying. “It’s not a story the Jedi would tell you.” This is basically like young men going online and listening to people like Andrews Tate and Donald Trump. Toxic fascists who make their feelings of isolation validated and offer easy solutions through rhetoric and manipulation. 


Of course, it all ends badly for Anakin. He joins Palpatine and decides to wipe out the Jedi. Including the children. He knows this is wrong. But Palpatine has twisted his mind so much, that there’s no going back. Anakin is lost. 


And even though he tried to save his wife, he ended up choking her the moment he suspects her of cheating on him with Obi-Wan. Obi-Wan, someone he saw as a father figure and older brother, fought Anakin in a brutal battle. And fatally wounded Anakin. And cut Anakin off from his life. He knew Anakin, the boy he trained, was gone. Forever. Obi-Wan’s mentor, Qui-Gon, had a dying wish that Obi-Wan would train Anakin and guide him on the straight and narrow. Obi-Wan failed. Horribly. And so did Yoda. So did the entire Jedi Order. So did the Republic.


Fans that grew up with the original trilogy, saw the prequels and what they were saying, and there response…. Was to mock them and trash them. And anyone else who liked them. They made jokes about how George Lucas ruined their childhood and made hour long videos dissecting them and their problems. “The acting was terrible. Too much CGI. Too much bad dialogue. This isn’t making me feel the same way that I did in my childhood! George Lucas needs to die!” This is what the discourse was like in the late 2000s and early 2010s. This was before Trump. This was before Critical Drinker. This is just how Gen X talked about Star Wars and younger fans who liked the prequels. They even bullied Jake Lloyd to the point of going insane, and Ahmed Best to the point of becoming suicidal. 


When George Lucas sold Star Wars to Disney, he offered them story treatments for Episodes VII-IX. And their response was to toss them away, bring in JJ Abrams and Lawrence Kasdan, and make a movie that was the exact same movie as A New Hope. Another Rebels vs Empire story. Except their names are now the Resistance vs the First Order. The Force Awakens opens up with the status quo being just like it was at the beginning of the Original Trilogy. The galaxy is ruled by fascists, and a group of freedom fighters have to stop them. Even though the Original Trilogy ended with the Rebels winning and defeating the Empire and saving the galaxy. We’re never told how it came to be like this or how the fascist came back to power. We’re never even told how Luke Skywalker failed to rebuild the Jedi Order. All we’re told is “Look! Look! Millennium Falcon! Look! Look! X-Wings! Look! Look! Another Death Star! Look lol! Another bad guy with a black mask! Look! Another robot with top secret information!” The movie is very low on substance, but very high on nostalgia pandering. 


They made it like that on purpose. Bob Iger in his book “The Ride of a Lifetime” admitted they played it safe with their first Star Wars movie because they knew older fans hated the prequels, and wanted another fun escapist adventure of good guys beating the bad guys. It was the Star Wars movie that Gen X wanted. Safe, simple, fun, and not challenging. And hey, at least the acting and directing are better executed. And there’s no Jar Jar. So five stars! 


This worked. The Force Awakens, as I am writing this, is the highest grossing movie of all time domestically. It grossed $900 Million DOMESTICALLY! It’s the closest a movie got to a billion dollars DOMESTICALLY in America! This was even without China’s help! 


The box office doesn’t tell us about a movies quality. It tells us about how effective the marketing was, and what audiences want. American audiences made it clear that they want movies that remind them of the past. A simpler, more care free time. Back when America was Great. Are we really surprised that Donald Trump got elected a year later? South Park pointed this out in Season 20 when Randy explained to Garrison, the Trump stand in, how The Force Awakens’ success was a symptom of a larger problem with America. That America, like the Roman Empire before it, go too complacent and just spent its time remembering the good times. Soaking itself in Member Berries. 


https://youtu.be/hkzURwPE3sQ?si=6OvCwGi4bKPZDYIv


Say what you want about Trey Parker and Matt Stone. But there’s a reason they’re revered as two of the great comedians and satirists of our time. Just like The Simpsons, South Park has its finger on the pulse of society. It’s not afraid to say out loud what we’re all thinking deep down. 


The Last Jedi, written and directed by Rian Johnson, was released in 2017, and was the opposite of The Force Awakens. It was loaded with political commentary. It explained how Luke failed in rebuilding the Jedi Order. It actually deconstructed the themes of Star Wars as a whole. It made Luke Skywalker,  a hero Gen X grew up wanting to be like, a failure who gave up. It challenged Gen X to reflect on themselves and the world around them. It challenged them to rethink what they were taught. To unlearn what they had learned. But it ended with a hopeful message of Luke pulling himself back up, standing up to the First Order, and inspiring the Galaxy once again.


And fans still hated it. A lot of younger fans who grew up with the prequels, who for years heard Gen X and older fans mock them and bully them for liking the prequels and identifying with Anakin, also hated it. And they turned to YouTube grifters like Nerdrotic, Critical Drinker, Geeks and Gamers, Star Wars Theory, etc., and were encouraged to bully and harass the cast and crew of The Last Jedi. They even bullied Kelly Marie Tran off of social media. These grifters convinced these young men that the people behind Disney’s Star Wars hate men. “That’s why they made Luke a failure, but the female protagonist Rey an all powerful girl boss.” Obviously, this isn’t true. The Last Jedi’s message is actually supposed to be for women and men. But media literacy doesn’t matter to grifters. Only money. 


This is why Rise of Skywalker was the way it was. Just like how The Force Awakens was an antidote to the prequels, Rise of Skywalker was an antidote to Last Jedi. Kelly Marie Tran’s screen time was cut down. Rey’s powers were given an explanation. She’s related to Palpatine. Palpatine comes back. Even its message and themes were different.


The Last Jedi ended with the galaxy ignoring Leia’s call for help, causing Leia to give up. Only for Luke Skywalker, her bother, to come back and make things right. Luke caused a lot of this with his hubris and ego. Like Yoda and Obi-Wan before him. But Yoda taught him “the greatest teacher failure is”. Luke apologized to Leia, apologized to Ben Solo, and saved the Resistance and inspired the Galaxy. That’s what inspires people. Stories. 


Rise of Skywalker ends with the entire galaxy joining together at the last minute to save the day. “There are more of us, Poe. There are more of us.” Lando says. 


Last week, the majority voted for Trump. If there are more of us, they stayed home. Like they did in The Last Jedi. 


Rise of Skywalker is a dumber version of Return of the Jedi. Return of the Jedi ends with the Rebels defeating the Empire. The galaxy however doesn’t help them. A group of Ewoks, indigenous people who are victims of oppression from the Empire, help them. They only have wooden sticks and spears. But they help the Rebels win. Through courage and community. 


After the Rebels win, the entire galaxy celebrates. They had nothing to do with it. But they’re happy the good guys won. It’s like “Yay! Palpatine and Darth Vader are dead! We can go back to brunch at Mos Eisley’s Cantina”! 


Anakin Skywalker as a 9 year old tells his mom “You always say the problem with this universe is nobody helps each other.” And he was right. 


By the way, Trump’s slogan, “Make America Great Again”, was the exact same slogan Ronald Regan used in 1980. The exact year that The Empire Strikes Back was released. “It’s like poetry. It rhymes.” - George Lucas


People used to mock George Lucas for saying that. But he was right. 


Gen X, the generation that bullied George Lucas to the point where he retired and gave his entire company away to Disney, proved him right. He proved to them that he was right not only about America. But about them. 


They grew up with Star Wars, a story of good and evil. And they viewed themselves as Luke Skywalker. Even though many of them were actually Anakin Skywalker and grew up to be Darth Vader. Blindly serving an evil Sith Lord who promises them simple solutions. And even though it is clear that the Emperor was lying to them, just like Palpatine lied to Anakin about helping him save Padmè, they know it’s too late to go back. They know that like Anakin, they burned all their bridges. They ruined their friendships. They gave themselves to the Dark Side. And now have to live their lives with that guilt. A shell of what they used to be.


And now it’s happening to Gen Z. They grew up in a system that allowed them and their classmates to die in mass shootings, to spend their school years on Zoom, being unable to afford a house, and watching as their government uses their tax money to fund a genocide overseas. 


History is full of people, philosophers, poets, civil rights leaders, storytellers, revolutionaries who are hated and bullied by society for telling the truth. George Lucas is one of them.


Yes. He’s a billionaire. He’s not one of the little guys. He started out as one of the little guys. He was an independent filmmaker with the goal of making movies the way he wanted to without Hollywood’s help. But then became a billionaire due to Star Wars’ success. He knew he became the very thing he swore to destroy. He made the prequels not just for young people, but for himself. To remind himself that like the Jedi of old, he wanted to save the galaxy. But could do nothing to save it. The only way he knew how was through storytelling.


The reason Obi-Wan talked to Luke about the Jedi with rose colored glasses was to inspire Luke. Just like how Palpatine used the story of Darth Plaguis to manipulate Anakin. 


Nothing inspires or manipulate people more than a good story. 


With the original trilogy, George Lucas tried to inspire us. He saw how we responded, and realized he wasn’t clear enough. He made the prequels as a warning. A warning of what happens when we get complacent. And before long, the Dark Side takes over.

Like Obi-Wan, Yoda, and Luke, we must retreat and regroup, accept our failures, learn from it, and pass on what we learned. And hope that we can guide the next generation to make things right. 


In the meantime, all we can do is watch in horror, like Padmè Amidala, as the democracy we spent our lives fighting for and believing in, surrenders itself to a dictatorship. 


George Lucas warned us. We didn’t listen. We pushed him away. Just like we pushed democracy away.


“Democracy isn’t overthrown. It’s given away.” - George Lucas 


Think you’re living in the Republic? You’re wrong. You’re living in the Empire. You always have been. And this week, you now realize that the majority of voters not only don’t mind this. They voted for this. They’re cheering for this. They wanted this. The shroud of the Dark Side has fallen.


“So this is how liberty dies. With thunderous applause.” - Padmè Amidala

Thursday, September 12, 2024

James Earl Jones - Our Cinematic Father




https://drive.google.com/uc?export=view&id=1Aifx-zWPzIroKaBBK34gLnKUNmhbd2Cg

James Earl Jones, the voice of Darth Vader in Star Wars and Mufassa in The Lion King has passed away. 


I always dreaded the day I would read those words. As did all of us. 


Since James Earl Jones’ passing on Monday (as I am writing this), there has been an outpouring of tributes to him from all around the world. From fans who knew him from their favorite movies and shows to actors and filmmakers who worked with him. Mark Hamill, fellow Star Wars veteran who played Luke Skywalker, was one of the first celebrities to pay tribute to the late actor. He tweeted “#RIP Dad”. This is obviously a reference to the fact that (spoiler alert) Darth Vader is Luke Skywalker’s Father. Yet Hamill’s simple tribute sort of summarized my feelings, and I’m sure many of our feelings. We didn’t just lose an actor who appeared in our favorite movies and shows. It feels like we lost more than that. We lost our Dad.


James Earl Jones voiced Darth Vader, but he also voiced Simba’s father Mufassa in Disney's The Lion King. I’ve always found it interesting that James Earl Jones’ most iconic roles are the Father of the main protagonist. Both roles left a huge impact on pop culture, and perfectly illustrated the two types of Fathers in our lives. Ironically, “Vader” is German for “Father”. 






As Darth Vader, James Earl Jones plays the worst Father ever. He was absent for his twin children’s’ births. Both of them are separated at birth. His son Luke is sent to live on his home planet Tatooine to live with his aunt and uncle on a moisture farm. His daughter Leia is sent to live with the Kings and Queen of Alderaan, and grows up to be a fearless leader of the Rebellion against the Empire. Who her biological father works for. When Vader meets his daughter, he tortures her, tortures her boyfriend, and stands by as her home planet is blown up by his bosses, along with everyone she knew and loved. He doesn’t meet his Son until he’s a young man. And when they do meet, Vader’s sick idea of playing catch with his son is a dangerous Lightsaber fight that ends with him cutting his own son’s hand off. And then he tells his son to come work in his career under his boss so they could both team up to overthrow him and take over the galaxy together. Darth Vader is not only a bad father, he’s the greatest villain in cinema history. If he’s not the greatest, he’s definitely the most iconic. Which makes it all the more powerful and emotional that at the end of the Saga, he is redeemed by the love his son has for him. Despite everything Vader did to him, Luke saw the good in him. He believed in it so much he was willing to die for it. This causes Vader to become Anakin Skywalker once more, and give his life for his son. This may just be the greatest character arc in fiction. At least in my opinion. It’s hard to think of another character who could go from being the personification of evil to a redeemed hero who saves his son from dying and destroys the Empire. A lot of the reason it works is because of James Earl Jones’ performance. 



While David Prowse was Darth Vader in the suit, James Earl Jones provided the voice. He wasn’t credited until Return of the Jedi. In the first two movies, James Earl Jones gives Vader this menacing presence. This big, booming voice that strikes fear in his enemies, as well as his subordinates. In the third movie, he’s still menacing, but is now showing cracks. The old him, Anakin Skywalker, is slowly coming back. James Earl Jones captures Vader’s self doubt, denial, inner conflict, sadness, and ultimate contentment as he dies in his son’s arms. 


Star Wars is known as a space fantasy with wizards and laser swords and aliens who play musical instruments. But at its core, it’s about a Father and a Son torn apart by conflict, one on the good side the other on the evil side, but who both ultimately find their way back. As Darth Vader. James Earl Jones plays the worst father ever, but also a remorseful one. One who at the end, accepts the hurt he’s caused to his children and everyone around him, but in one final act makes it right. 






As Mufassa in The Lion King, James Earl Jones plays the Father we all want. He’s responsible, also playful. He’s strict, but empathetic. He guides you to make the right choices to grow up into the great person he knows you can be, and will set you straight when you drift away. His voice is booming and powerful, but also calming and comforting. When Mufassa yells at Sinba and tells him he is disappointed in him, as a kid it felt like my own Dad was disciplining me. Like Simba, I would freak out when my Dad raised his voice at me when I made a mistake or disobeyed him. As Simba shows his dad he is sorry through his voice cracking, Mufassa’s tone calms down. He tells Simba that he’s only mad because he loves him, and did not want to lose him. He and Simba share a sweet moment where they play with each other. Simba asks his Dad if they’ll always be together. Instead of telling Simba “Well, I’m gonna die someday.”, Mufassa tells him to look up at the stars. That the great Kings of the Past look down from those stars. And that they’ll always be there to guide him, and so will he. He subtly gets across to Simba that his existence is temporary. But he’ll always be there in the stars. Mufassa’s connection with Simba reminded me of the connection I have with my Dad. That he’s always there for me and loves me.


Mufassa’s death in the next scene is one of the biggest gut punches in Disney history. As a kid, it always made me cry because it felt like my own Dad died. Ever since then, I’ve dreaded the day I’ll lose him. My Dad’s dad, my Grandpa, passed away four years ago. My Dad still misses him. And so do I. 


You may have noticed something interesting about Darth Vader and Mufassa. They have a few things in common: They’re voiced by James Earl Jones, they’re the Father of the main character, and they both die in the end. And they both teach us about dealing with mortality. The fact that none of us are meant to live here forever. Eventually, everyone we love is going to die. Including our Father. But they still live in us. In our hearts. And in our memories we have of them. The good memories and the bad memories. The memories we wish we could forget or do over, and the memories we want to relive forever. The way we remember people, especially our parents, is how they behaved. If they were loving and caring, we miss them dearly. If they were flawed people who made terrible mistakes but ultimately made amends with you in their final moments, we miss them dearly but also mourn what relationship we wish we could have. 


No matter what type of relationship we had with them or what they did, if our love for them is strong enough, then they will never truly leave us. As Anakin’s own son said to his sister, “No one’s ever really gone.”


Of course, I never knew James Earl Jones. I never met him. The only way I know him is through his work. Both as an actor and as a public figure. All I’ve ever heard about James Earl Jones from people who worked with him was how kind he was, and how humble he was. He had this booming voice, this commanding presence, and yet had this gentle demeanor and joyful personality. He could intimidate you with a commanding tone, and also touch your heart with a sincere speech and a little chuckle. He could be your boss who you would either hate or respect but would do what they say, or a friend who believes in you and encourages you to follow your dreams. These are all characters James Earl Jones played. By all accounts, he was more like his sweeter characters as opposed to his more villainous roles like Darth Vader. He was once named “Hollywood’s Most Trustworthy Actor”. He demonstrated this in his work. No matter what role he played or what movie he was in, he elevated it with his presence and his voice. When he guest starred in a sitcom, he was always the highlight. He was a welcome presence in everything he appeared in. 


James Earl Jones may be gone. But through his work, through the films and shows that will always be available to watch, and through the lives of those he touched, he will always be with us. In the Force, in stars with the great Kings of the Past, in the Fields where Dreams come true, and in all of us. 


He lives in you. 


Rest in Power, James Earl Jones. May the Force be with you always. Long live the King.